Essay Topic Ideas For Japanese Textbooks - Do Not Miss Out on These!

<h1>Essay Topic Ideas For Japanese Textbooks - Do Not Miss Out on These!</h1><p>Japanese paper theme thoughts can be found anyplace, and they are not hard to get a hold of. On the off chance that you are contemplating Japanese, or on the off chance that you have recently perused a Japanese course book, you can quite often discover at any rate one thought for an exposition, regardless of whether it isn't generally one of the recorded theme ideas.</p><p></p><p>Because there are such a significant number of thoughts for articles in Japanese, most understudies wind up returning and read a page or two over again before they can make sense of what they have to do straightaway. This is definitely not a terrible thing.</p><p></p><p>I think this is a piece of the motivation behind why most understudies battle with the subject, since they attempt to search for the right method to compose their exposition. Nonetheless, on the off chance that you have no clue what to do, the best thing you can do is to keep searching for thoughts for papers in Japanese. You will find that when you look you will discover more article theme thoughts than you would ever imagine.</p><p></p><p>What I mean by this is in the event that you begin to figure out how to compose expositions in Japanese, at that point you would then be able to apply what you figure out how to a specific subject that you need to expound on. Actually, you can even go significantly further and apply your insight to numerous subjects. I can't pressure this enough.</p><p></p><p>As you look for article theme thoughts, ensure you observe things that you discover troublesome, or things that you have to chip away at also. You ought to likewise make certain to search for points that you may as of now be comfortable with. A few subjects may be hard to contemplate, however you may definitely know something about them.& lt;/p><p></p><p>For model, in Japanese, culture is significant. There are such huge numbers of various things that culture is engaged with that you can without much of a stretch compose your own proposal regarding the matter. For instance, you could go into a paper on creature cultivation and discussion about the various ways that creatures eat and drink, how they adjust to the earth, and how they coexist with one another.</p><p></p><p>If you were to compose this all alone, you may find that you have a ton of data that you haven't utilized at this point, or that you haven't adapted at this point. So if you somehow managed to expound on this, you should search for subjects like these in Japanese.</p><p></p><p>Once you have a rundown of themes that you can return to, I propose that you keep on looking for Japanese article point thoughts. I additionally propose that you continue searching for themes that you definitel y think about, as this will help you as you go from subject to topic.</p>

The Most Popular How Do I Write an Essay about Two Separate Topics and Then Include Them Tog

<h1> The Most Popular How Do I Write an Essay around Two Separate Topics and afterward Include Them Tog</h1> <p>As soon as you've experienced the inquiries above, you should have great feeling of what you wish to expound on. You may have your point appointed, or maybe you be without given rule to compose on the subject of your pick. Rather, focus on endeavoring to consolidate every last one of the subtleties you can envision about your theme, which will make it less difficult to pick what you ought to incorporate when you alter. You likewise might want to discover points which are a little difficult to address in ordinary discussions and you should be able to back up this data with a contention. </p> <p>You shouldn't expound on precisely the same theme you utilized for your private proclamation, however it's fine to talk about something comparable, given that you embrace a plainly different point. You won't can compose a lot if the case you don't have a thing to put on the website page. An option is to get a change sentence at first and afterward an unmistakable theme sentence tailing it. </p> <h2> The 5-Minute Rule for How Do I Write an Essay around Two Separate Topics and afterward Include Them Tog</h2> <p>You've quite recently composed a recognized paper. A paper must be broken into passages to guarantee it is clear. It should be close to home. About each school paper you compose will request a theory in 1 structure or another. </p> <p>Essay Edge is a web exposition altering asset which helps with scholastic and confirmations papers. Composing brings us into right now. Inside this early on exercise you will find some direction with respect to how you ought to compose an IELTS exposition. </p> <h2> What Everybody Dislikes About How Do I Write an Essay around Two Separate Topics and afterward Include Them Tog and Why </h2> <p>While an exposition is a major undertaking, there are heaps of stages an understudy can bring which will help separate the errand into sensible pieces. Presently you realize how to make an investigate proposal articulation, get readied to blow your teacher from the water with a rockin' paper. Correspondingly, your teacher might want to see how well you can decide the relationship between two things. </p> <p>Let's experience the essential activities which will assist you with transforming an exceptional subject into a significant paper. All the examination on an inability to write recommends that people who focus on flawlessness the absolute first time round will probably truly restrain their composition. It's fundamental since it can add some volume to your paper and lift the impact of your words.</p> <p>Whenever your exposition task requires explore, you need to ensure your point can be demonstrated dependably utilizing sources you're prepared to find. Tending to a book, consider exactly how the author seems to feel about the subject, and be careful that she or he probably won't concur with you (or even the speakers in the content!) When you start composing, don't be worried about your paper's length. Despite the fact that composing an article is overwhelming for some people, it very well may be very straight-forward. </p> <p>The more inquiries you pose before you initiate composing, the more data you should use in the exposition. At long last, when you sum up, you should not place in your musings about the short article or paper, nor on the off chance that you include any assessments. You will discover progressively about the subject, and you'll have more jargon words to advance the exposition. These themes need huge amounts of concentrating to back up the conclusion and you can safeguard any position you wish to. </p> <p>Superior melodies investigate great contemplations and excellent tunes are easy to discover. No one composes a perfect first draft. Figuring out how to write in another dialect can be troublesome, particularly at whatever point you're initially beginning. Similarly, a lot of understudies feel just as they have to expound on a major life occasion or their most noteworthy accomplishment. </p>

Essay Examples About Yourself

Essay Examples About YourselfThere are a lot of college application essays to be written, and each will be different. Some will need to be more personal than others, and some will be composed in simple writing. This will all depend on the essay, but there are some ways to keep it from getting boring or repetitive.One of the most important essay examples about yourself is to put some real things you can do that you are proud of, and some ideas that make you stand out. It does not have to be a long essay, and it does not have to be creative. The point of this is to show what you have to offer. The more you know about yourself, the better the essays will be.Of course, not everyone has the opportunity to travel or see the world while in college. In this case, the student may feel that their education is incomplete without some travel experience. One way to provide this is to include a travel experience written about in your essay. This does not have to be anything exciting. It can simply be writing down a trip you did that was special to you.College application essays often contain essays about your GPA. For those who may have earned an A, it will be up to the student to write about how they performed. This can be as simple as raising your grade point average to A's and B's, or it can be explaining why you were the only student to earn an A for your class. This should be done in a simple way.Perhaps you will want to write a short story that can represent who you are. For example, you can be a student with a severe allergy to dust mites. You can also write about your search for food when your family was in Vietnam. This can be a personal story, orit can be about a country that you have been interested in visiting. As long as you include some type of personal story about yourself, your essay will be unique.The student may feel that there are too many topics to write about, but he or she can include an essay about their own tastes, or how they enjoy being an athlete o r musician. Another idea is to tell something about yourself that people will like. Many students think they are too old for this type of thing, but they do not realize that other people enjoy showing their age, too.College application essays should be written in a different way each time. Some students may prefer that the essay is longer, while others may want it to be short. The essay examples about yourself should reflect this, and they should be changed according to how you feel that day.The best way to write about yourself when doing college application essays is to remember that you do not have to be perfect. You should be able to be honest about yourself. As long as you can express yourself with the ideas you know how to write, you should be successful.

How to Write a Custom Term Paper?

How to Write a Custom Term Paper?When writing a custom term paper, your point of view is your main consideration. It should be clear that you are the author, in the same way that you are the class secretary and the teacher. In this manner, you will be able to move beyond routine forms and guidelines, because it will not be about your school or the college where you will be teaching.Since writing is an activity of writing, it is expected that you have a good grasp of grammar and spelling as well as proper punctuation. However, writing a term paper can also be a serious task, if you do not find a suitable topic for your paper. This is especially true when the topic is a bit difficult, or it might involve long processes of research or analysis.If you find yourself unable to write well, there are a number of options open to you. First, you can get help from a friend, family member or colleague who is good at writing. In this way, you can complete the term paper while providing the requir ed attention to the article.Second, you can seek help from a source that provides customized services for writing a custom term paper. In this way, you will be able to produce a work which is very unique, but quite in line with the requirements of the college or the school.Third, you can write the term paper by yourself, which is an option you may want to consider, because there are a number of writing tasks that you can perform yourself, without consulting anyone else. Here, you will need to check whether your instructor can assist you in writing the paper, or not.In this case, the four above-mentioned techniques will help you in writing a custom term paper with quality and a level of professionalism. However, it would be better to ask a trusted writer, who specializes in this type of project, for assistance. You can use various resources available on the internet for learning about this topic and get informed about the kind of writing methods which are acceptable in this kind of j ob.In this way, you will be able to write a custom term paper with effective skills, and very few hassles. Indeed, it will be a plus for you, so try it out!

Why Do We Still Have Nuclear Energy And Fossil Energy

Miguel Chavez ET-110 Jim Hannibal Solar Energy Why do we still have nuclear energy and fossil energy such as; oil, coal, and natural gases? when we can have renewable energy that comes from the sun! A solar panel is a renewable energy source made out of individual solar energy collectors called solar cells. We can find this type of renewable energy in solar cells. The operation of a solar panel is a, pretty straightforward, sequence of actions and reactions formed between the sun and the solar panel itself. A semiconductor such as silicon, is specially treated to form an electric field, positive on one side and negative on the other. When light energy strikes the solar cell, electrons are knocked loose from the atoms in the†¦show more content†¦Even though solar panels can have many cons such as being more expensive between other sources of energy. Solar energy is the way to go when taking a step to evolutioning the source in which had relay almost all our life. We consider our daily electronic sources to be very efficiency, but some of us might of not even consider the other face of our electric energy. Solar panels have their down sides on pollution manufactured. Researches have shown that by creating this energy emitted system greenhouse gas emission are also created into the atmosphere. The National Renewable Energy Laboratory of the United States Department of Energy conclusively demonstrates through research at the National Center for Photovoltaics that Photovoltaic (PV) systems avoid far more carbon dioxide and other pollution through their clean energy production than are introduced by the manufacturing of PV systems. The transportation as well as the installation of this product can also have a great impact in pollution. Many solar panels around the globe such as Europe and America have left behind toxic pollution in the air as well as chinese farm lands and villages. Having this type of electronic device can some cons but the overa ll gain will be beneficial to any can of user. If you re a homeowner or even for a big industry going solar is the best way to save money over time. â€Å"Although the production of solar panels does require

Security Breach at Tjx free essay sample

Top-level executives need to understand that IT security is a business issue and not just a technology issue. As seen by the attack, an IT security breach can mean hundreds of millions of dollars in losses, which definitely has an adverse affect on the bottom-line of the business. Further, as a Level 1 business (those that processed over six million credit card transactions per year), the PCI DSS auditor had failed to accurately assess TJX’s network, missing three of twelve encryption requirements: absence of network monitoring, absence of logs, and the presence of unencrypted data stored on the system. The lack of thoroughness on the auditor’s part certainly made the penetration of the system by attacks easier, to the point where they were so confident that they would send each other encrypted messages through the backend of the system. Furthermore, the in-store clerks dropped the ball by not monitoring the self-checkout kiosks more heavily, which resulted in attackers using USB drives to upload software on those terminals! Work process failure points that require attention are the personal information required for non-receipt merchandise returns, such as driver’s license and social security numbers. We will write a custom essay sample on Security Breach at Tjx or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Either do not allow returns without a receipt or implement a system for nonreceipt returns that does not require the customer to give out very personal information. Technology failure points at TJX that need attention are stronger wireless protection, more complicated and unintelligible encryption, stronger firewall configuration to protect cardholder data, updated anti-virus software, and a regularly used log so that there was a track record of added, changed, and accessed information. 2. How should the company’s IT security be improved and strengthened? What should its short-term priorities and long-term plans be? Hiring Richel as the Chief Security Officer was one big step towards a better IT security program at TJX; he’s an executive who understands the harsh and costly consequences of a weak IT security system and has plans to implement the strongest system possible. Short term priorities include 1) addressing Mary Smith’s letter and taking care of the $5,000 theft, 2) implement network monitoring, 3) implement logs, 4) encrypt ALL data and minimize the time where data goes from ‘scrambled’ to ‘unscrambled’, and 5) update all components of the system, both hardware and software, to the most modern and secure in the industry. Long-term priorities should include minimizing risk by making everyone in the company, not just top-level executives, aware of the potential of another massive attack on their system. The reason why I think store clerks and managers should be made aware of their respective branch’s IT system (wireless, kiosks, card swipers, etc) is so that they know what an attack looks like when it is happening. More times than not, the invasion is happening right in front of the cashier’s face yet they have absolutely no idea. Increasing training and updating systems regularly will help ensure another attack from not happening. 3. Was TJX a victim of ingenious cyber crooks or did it create risk by cutting corners? How do smart, profitable retail organizations get into this kind of situation? Based on the article, I really have to place most of the blame on PCI DSS’ auditor. TJX is not in the business of IT Security, they are in the business of selling apparel and home goods at discount prices, and they do it on a massive level. TJX hired a company who specializes in IT Security and they failed to properly analyze their system. Nevertheless, the CTO/CSO at the time should have been well aware of minimum system requirements for a Level 1 company and could have remedied the situation long before the attacks. When you are the biggest and most profitable business in ANY industry, you become the most vulnerable for attacks, mainly because attackers get more out of the time they spend hacking. Bigger systems mean more loop holes, and the attackers won on this one.

The Point

The Point-Counterpoint of Jan Steen Essay During the 17th century, Dutch genre painting flourished, appealing to middle class patrons by depicting everyday life with charm and often a moral. Jan Steen was among the most successful genre painters, weaving witty commentary into his pictures of merriment. Rhetoricians at a Window, c. 1661-1666 (oil on canvas, 29 7/8 x 23 1/16 inches) serves as an exemplar, depicting a naturalistic scene combined with layers of meaning. Even the title may be read on many levels. Just as a rhetorician may refer to an eloquent speaker, so, too, may it allude to a pompous or bombastic person. Rhetorician also conjures up the notion of rhetoric, or the act of making a persuasive argument based on a point and counterpoint structure. This painting cleverly provides several layers of point-counterpoint arguments revealed through visual analysis, careful reading of physiognomy of the figures, and assessing the composition as a whole, including how it engages the viewer. Visually, Steen presents a naturalistic scene set in a tavern or inn, believable in its details. Four prominent figures are easily readable, not cartoonish or types, but portrayed with individualistic features. We will write a custom essay on The Point-Counterpoint of Jan Steen specifically for you for only $16.38 $13.9/page Order now Two more shadowy figures emerge from the background. The four figures up front are framed in a window that fills the upper 2/3 of the painting, pushed forward in shallow space to the picture plane. The location is identifiable as a public place where drink is served by the prominent, diamond-shaped sign, nailed to the window frame just off center, hanging in the lower third of the painting. The sign features crossed swords, common symbols for power, protection, justice, courage, and strength. Here, the crossed swords also serve as an apt emblem for the crossed arguments of the point and counterpoint of rhetoric. Across the top of the painting is a swag of grapevine, with a bunch of grapes just right of center and another bunch on the far left, as the vine tumbles down the left window frame. The lively swoop of the grapevine softens the strong geometry of the rest of the composition. The window dominates the frame and is comprised of a central cross inside its rectangular shape, suggesting the possibility of a moral at the center of this story. The cross also implies a crossroad, choices to be made when a point and counterpoint intersect. Both the top of the window’s rectangle and the bottom of the sign’s diamond are cropped out of the picture, creating an immediacy and aliveness of a zoomed-in vantage point. The diamond of the sign is mirrored in diamond-shaped leaded glass in the top two quadrants of the cross. Close examination reveals that two of the panes are broken, perhaps by revelers inside. The brick structure of the building adds more geometry with stabilizing verticals and dominant horizontals, which buttress the horizontal window ledge. The colors are earthy and muted, reflecting the earthy scene. The red velvety cap of a figure just right of center immediately attracts attention, but the rest of the palette is marked by shades of brown, golden yellow, and soft green. The bricks appear textural, accomplished through illusionistic shadow in the mortar to suggest depth, and laying down smooth layers of multiple color, with oranges and greens highlighting the tans and browns, as if the architecture were alive and organic, changing colors over time. The sign’s diamond frame is matted in deep brown, mustard yellow and rust, indicating a place of lusty, earthy pursuits. The day is warm enough for the shutters to be open, revealing the scene, yet the hint of color on the grapevine and a bare branch to the right suggest the transformations of autumn. As the leaves turn colors and fall, Steen hints at the passage of seasons, time, and life. Steen’s attention to detail is not overworked and suits the scene. Paint is laid smoothly, and up close, individual strokes are apparent. But only the faces of the figures are detailed. .u7e265f73193b452347380a8d67f19ae7 , .u7e265f73193b452347380a8d67f19ae7 .postImageUrl , .u7e265f73193b452347380a8d67f19ae7 .centered-text-area { min-height: 80px; position: relative; } .u7e265f73193b452347380a8d67f19ae7 , .u7e265f73193b452347380a8d67f19ae7:hover , .u7e265f73193b452347380a8d67f19ae7:visited , .u7e265f73193b452347380a8d67f19ae7:active { border:0!important; } .u7e265f73193b452347380a8d67f19ae7 .clearfix:after { content: ""; display: table; clear: both; } .u7e265f73193b452347380a8d67f19ae7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7e265f73193b452347380a8d67f19ae7:active , .u7e265f73193b452347380a8d67f19ae7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7e265f73193b452347380a8d67f19ae7 .centered-text-area { width: 100%; position: relative ; } .u7e265f73193b452347380a8d67f19ae7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7e265f73193b452347380a8d67f19ae7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7e265f73193b452347380a8d67f19ae7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7e265f73193b452347380a8d67f19ae7:hover .ctaButton { background-color: #34495E!important; } .u7e265f73193b452347380a8d67f19ae7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7e265f73193b452347380a8d67f19ae7 .u7e265f73193b452347380a8d67f19ae7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7e265f73193b452347380a8d67f19ae7:after { content: ""; display: block; clear: both; } READ: Mask Sorry by Natalia Nesterova EssayWhile the hands of the up front figures hint at tendons and veins without being meticulous, the hands of the figures behind are crudely drawn, suggesting their crude activities. Long brushstrokes create the simple clothing of the figures. Their plainness suggests the men are middle or laborer class. Just as Steen carefully chooses what to depict with detail, so, too, does he use frames within frames as a deliberate device. In addition to filling the picture frame with a close up of the scene, Steen also creates another frame with the window, where the figures congregate. Each quadrant of the window creates frames, with the two lower quadrants filled by the men. Three figures break the window frame illusionistically. One on the left leans out the window, with his elbow over the ledge, while another on the right rests his head on his hand, elbow perched on the window frame. A standing figure on the right, grasps the central frame, joining the two quadrants with a v-shaped arm. Separating the figures by the construction of the crossed window frame suggests that they represent different points and counterpoints. Each figure has a narrative, with a distinctive face and gestures full of information. The man on the left leaning out the window, with a pince-nez perched on his bulbous nose, forehead highlighted by an unseen, somewhat ambiguous light source, holds a sheet with writing just discernible. It may read â€Å"List,† and with his heart shaped mouth open and smiling, he acts as a rhetorician reading the paper’s list. His merriment suggests he is not the author of the article, or if he is, he satirizes another’s words. In his cotton shirtsleeves and leather vest, with a starched collar (though not the elegant gathered ruff), this man appears the most affluent of those gathered. His mirthful, or perhaps sarcastic, reading of the tract commands attention. The man behind him, mouth open, perhaps also speaking, seems both serious and willing to follow the orator. In the rear is a man, head tipped all the way back, downing a drink with no refinement or subtlety, light just catching the rim of the glass. In the right hand quadrant, the narratives become more subtle. In front, the figure leaning on his hand, grasps an enormous tankard, brightly lit from the left, with his other. His large nose is also highlighted, as if projecting the effect of the former on the latter. The look on his face suggests that even though he is listening to the reading, he is bored, as if he has heard it all before, and feels condescension for the speaker whom he considers a blowhard. The drink in the tankard will see him through. The pipe, an unused source of pleasure tucked in his jaunty hat brim, points with its bowl in a strong diagonal away from the scene, where for him, life may be more amusing. In contrast to his airs, the seam of his jacket sleeve has split. Just behind him is the standing figure whose ruddy complexion also suggests familiarity with drink. His red, velveteen turban, with its wispy feather, appears flamboyant enough to suggest the artist himself and similar to one used in his self-portrait. The headgear may be tipped with metal bells, so that Steen cleverly positions himself as the wise Shakespearean fool. This figure is the only one who acknowledges the viewer, and his red cap makes him hard to ignore. His direct gaze marked by a white daub of paint creating a twinkle, along with his sly grin and upraised finger pointing vaguely toward the viewer, all seem to say, â€Å"see, I told you. This directness brings the viewer into the scene as an invited guest of the artist and into the argument about its meaning. The figure seems to raise the question of who is the fool here? He may dress the part, but he instructs the viewer to consider the folly of the orator who seems so confident in his mirth. The title refers to Rhetoricians, plural, so that not only is the speaker a rhetorician, but so too is the standing figure, who argues a point of view. With the direct gaze of the figure and the head on vantage point of the scene, the viewer is perhaps placed in a window across the alley. .udfb5cf6a5236a680b5a01d03ac8849e1 , .udfb5cf6a5236a680b5a01d03ac8849e1 .postImageUrl , .udfb5cf6a5236a680b5a01d03ac8849e1 .centered-text-area { min-height: 80px; position: relative; } .udfb5cf6a5236a680b5a01d03ac8849e1 , .udfb5cf6a5236a680b5a01d03ac8849e1:hover , .udfb5cf6a5236a680b5a01d03ac8849e1:visited , .udfb5cf6a5236a680b5a01d03ac8849e1:active { border:0!important; } .udfb5cf6a5236a680b5a01d03ac8849e1 .clearfix:after { content: ""; display: table; clear: both; } .udfb5cf6a5236a680b5a01d03ac8849e1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .udfb5cf6a5236a680b5a01d03ac8849e1:active , .udfb5cf6a5236a680b5a01d03ac8849e1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .udfb5cf6a5236a680b5a01d03ac8849e1 .centered-text-area { width: 100%; position: relative ; } .udfb5cf6a5236a680b5a01d03ac8849e1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .udfb5cf6a5236a680b5a01d03ac8849e1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .udfb5cf6a5236a680b5a01d03ac8849e1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .udfb5cf6a5236a680b5a01d03ac8849e1:hover .ctaButton { background-color: #34495E!important; } .udfb5cf6a5236a680b5a01d03ac8849e1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .udfb5cf6a5236a680b5a01d03ac8849e1 .udfb5cf6a5236a680b5a01d03ac8849e1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .udfb5cf6a5236a680b5a01d03ac8849e1:after { content: ""; display: block; clear: both; } READ: Comparing "Arts of the Contact Zone" EssayThe speaker is reading the tract for the viewer’s edification. The viewer makes a choice-to stay separate or become another rhetorician at a window. Since the viewer stands on the same side with the light source, Steen suggests that the viewer has the knowledge and common sense to make a good choice. The viewer is also given the choice about who to believe-the figures on the left or the figures to the right. Steen argues his own position. The standing figure breaks the boundary between the two quadrants, but stands firmly on the right. The sign and the bunch of grapes in the vine just above are both off center, favoring the right. The heads of the figures on the left form an arrow pointing toward the right, while the figures on the right make an upright â€Å"v† with the inclusion of a ghostly specter of a figure behind. These visual cues invite the viewer to take a position, to follow the lead of the standing, all-knowing fool. The painting then sets up a tension of right and left, wise and foolish, knowing and ignorant, insightful and oblivious. This duality coincides with the rhetoric of persuasive argument, point and counterpoint. The crossed swords of the sign are presented as a challenge of the counterpoint to the point, while also advocating that the viewer be courageous and take a stand. Steen wittily argues that each person makes choices about how to face life’s challenges-to drink oneself into oblivion, to mock life, to follow without thought, to be bored and judgmental, or to laugh at the folly of mankind. On the one hand, the left quadrant argues for merry making with drink and ideas. No idea is so important it cannot be laughed at and questioned. On the other side, the right presents doubters, naysayers, and those who laugh at it all. The vertical that divides the two poles of argument seems unyielding, yet the clever man can reach around and grab the best of both, uniting the laughter. The grapevine seconds the fool’s implication that life is full of the folly of man. The vine’s subtly highlighted leaves transition from the green of summer, color fading before the viewer’s eyes, into the golden tones of autumn. The grapevine’s message is that the party is coming to its seasonal end, just as folly in the moment will also pass as the seasons’ turn. It sweeps across the picture and down, transcending and unifying any artificial boundaries, creating a curtain that reveals the stage set of the scene. The viewer is reminded that the frame, that is the painting, and its visual elements are theatrical and artificial. Steen again seems to reference Shakespeare with â€Å"all the world’s a stage,† and as life passes by, enjoy the moments full of frivolity and foolishness. Steen as rhetorician argues that the party of life will come to an end. In the meantime, the unifying grapevine tops it all, reminding the viewer to make merry, a message that no doubt appealed to middle class art patrons. The viewer can make sense of what is shown, assess the moral implications, and take a stand. Like the fool, the viewer can embrace both sides of life, with all its contradictions. Living a moral life does not preclude having pleasures. Steen points to the viewer and encourages living a good life, but full of joy in the moment. Laugh, and become a rhetorician looking out the window on life.